视频简介
年轻的气象学家帕特·科迪兹发明了一种能计算天气的公式，被天气保险员罗伯特·本森无意中发现。罗伯特为了得到公式，假意接近帕特，天性善良的帕特对罗伯特渐生好感。与此同时，罗伯特的上司布劳伊与帕特的老板麦克狼狈为奸，偷走了帕特的公式笔记，并企图寻找买家将其出售……。完美的我为什么…会对什么老土男兴奋啊…！？放荡自恋男×脱下衣服很煽情的邋遢男，倔强的 BL 开幕！──梶虽然表面工夫既好又是人气王，私底下却会帮他人打分数、看不起别人。他不断追求理想，寻找有没有配得上自己的最佳完美0号。一日，他不得不和不起眼的同事・深见一起外宿出差。唯有这家伙，就算我们单独2人到了无人岛上，我也不可能会和他做──他原本是这么想的，但是刚洗完澡深见却可爱又…性感到，让他怀疑自己看错！？顺势被拥抱的身体别说是0分了，根本是100分满分…！。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。
