视频简介
Eburi is a 36 year-old man. Nothing enthuses him any more. While being drunk, he promises to contribute a story to a magazine. When he sobers down, he decides to write about the life of a salaried employee like himself who is very ordinary, not particularly talented. The following is his story: In 1949, Eburi gets married to Natsuko. His monthly salary is 8,000 yen and hers 4,000 yen. Therefore, both have to work to support themselves. Eburi has developed a habituIl tendency to pester around when he gets drunk. One year after their marriage, son Shosuke is born. In 1959, Eburi's mother dies in despair of her husband who has become listless due to the several ups and downs of gaining big profits and going bankrupt. His father is still alive and Eburi is enable to find a way to pay his father's debts. He is doubtful if he can make his wife and child happy. Nevertheless, he has somehow managed to survive so far, living in one of the houses at the employee housing quarters. He gives the title "The Elegant Life of Mr. Everyman" to his story of half novel and half essay style. When it is published, it receives the Naoki Literary Prize (the award given in memory of popular writer Naoki Sanjugo). At a party to celebrate his award, he gets drunk and pesters around. Notes The film is based on a novel written in the style of an essay under the same title by Yamaguchi Hitomi, depicting everyday life of a man categorized as "During-the-war Generation" who spent school days during the war and get married to start new life in the struggling post-war era. "Everyman" in the title means an average salaried employee who makes up an overwhelming majority of the city population in Japan, and "The Elegant Life" indicates sarcasm on betterment of the standard of living of ordinary salaried employees accompanied with Japan's economic growth after only a decade from the destroyed post-war period. As depicted in the film, the author Yamaguchi Hitomi was awarded the Naoki Literature Prize for this story. When he established himself well enough to become independent, he quit working as a salaried employee. Director Okamoto Kihachi and the leading actor Kobayashi Keiju belong to the same generation as the author. Exploiting innovative effects such as inserting animation sequences, the film humorously presents compassion of a middle-aged salaried employee. Kobayashi Keiju, who was originally noted for his excellent portrayal of salaried employee, won the best leading actor award of the Mainichi Film Contest for his superb performance in this picture.。比约恩（Adam Tønsberg 饰）和艾瑞克（拉尔斯·西蒙森 Lars Simonsen 饰）是青梅竹马的玩伴，彼此之间感情十分要好。比约恩个性张狂而又奔放，受到了女孩们的喜爱，其中克莉斯坦（Ulrikke Bondo 饰）对他格外狂热。其实，比约恩和一位名叫安娜（Camilla Søeberg 饰）的姑娘保持着肉体关系，在安娜那里，比约恩能够获得灵魂的慰藉。 艾瑞克自小生活在父亲的独裁统治中，饱受压抑的个性害羞而又懦弱。他暗恋着美丽温柔的克莉斯坦，可是克莉斯坦的目光却始终锁定在比约恩的身上。某日，克莉斯坦告诉艾瑞克自己怀孕了，但她并不想要这个孩子。于是，艾瑞克陪伴克莉斯坦去进行堕胎手术，在血腥和残酷的现实面前，少年的青春和对少女的爱恋都是如此的苍白无力。。兴洪与妹妹从缅甸偷渡至泰国边境，妹妹却被人口贩子拐走。来到曼谷後当导游助理的兴洪，却遇上洪水成灾而生意惨淡，他决定重返边境贩卖毒品原料盼能赚钱赎回妹妹。缅甸女子三妹为了得到台湾身份证替人蛇集团工作，一心梦想着新生活的她，带走兴洪的妹妹完成了贩运人口的任务，但身份证却仍遥遥无期……。
