视频简介
Eburi is a 36 year-old man. Nothing enthuses him any more. While being drunk, he promises to contribute a story to a magazine. When he sobers down, he decides to write about the life of a salaried employee like himself who is very ordinary, not particularly talented. The following is his story: In 1949, Eburi gets married to Natsuko. His monthly salary is 8,000 yen and hers 4,000 yen. Therefore, both have to work to support themselves. Eburi has developed a habituIl tendency to pester around when he gets drunk. One year after their marriage, son Shosuke is born. In 1959, Eburi's mother dies in despair of her husband who has become listless due to the several ups and downs of gaining big profits and going bankrupt. His father is still alive and Eburi is enable to find a way to pay his father's debts. He is doubtful if he can make his wife and child happy. Nevertheless, he has somehow managed to survive so far, living in one of the houses at the employee housing quarters. He gives the title "The Elegant Life of Mr. Everyman" to his story of half novel and half essay style. When it is published, it receives the Naoki Literary Prize (the award given in memory of popular writer Naoki Sanjugo). At a party to celebrate his award, he gets drunk and pesters around. Notes The film is based on a novel written in the style of an essay under the same title by Yamaguchi Hitomi, depicting everyday life of a man categorized as "During-the-war Generation" who spent school days during the war and get married to start new life in the struggling post-war era. "Everyman" in the title means an average salaried employee who makes up an overwhelming majority of the city population in Japan, and "The Elegant Life" indicates sarcasm on betterment of the standard of living of ordinary salaried employees accompanied with Japan's economic growth after only a decade from the destroyed post-war period. As depicted in the film, the author Yamaguchi Hitomi was awarded the Naoki Literature Prize for this story. When he established himself well enough to become independent, he quit working as a salaried employee. Director Okamoto Kihachi and the leading actor Kobayashi Keiju belong to the same generation as the author. Exploiting innovative effects such as inserting animation sequences, the film humorously presents compassion of a middle-aged salaried employee. Kobayashi Keiju, who was originally noted for his excellent portrayal of salaried employee, won the best leading actor award of the Mainichi Film Contest for his superb performance in this picture.。江湖巧匠“游云”金必多得秃鹰赏识，加盟“铁血十三鹰”，欲替天行道，怎知事与愿违，秃鹰觊觎朝廷赈灾官银，游云与其中六鹰反对，六鹰惨被秃鹰屠杀，而游云幸得迷恋自己的香鹰说情，得保性命，游云更利用绝技“勾魂一指”情挑香鹰而成功逃脱。秃鹰击败押粮官向怀忠等官兵，夺得官银；游云却以“侠盗笑脸元宝”之名掩饰身份，将官银盗走，并将秃鹰打下悬崖；向怀忠愧对朝廷及灾民，正要自尽，笑脸元宝赶至，将官银送还。向怀忠临终之时，对儿子向南飞交代笑脸元宝救命之恩，但向南飞将“报恩”误以为是“报仇”，一字之差，使向南飞矢志为父报仇。。袁志勇是京剧武生，白天以唱戏为生隐藏身份，晚上化身为火龙大侠，配合抗日游击队集结力量，军民团结一心一致抗日，他操着一口京腔，用幽默诙谐的语言与日本人调侃斗智斗勇，把日本人搞得晕头转向，每一次风口浪尖的对决，总能转败为胜。他武功超群，为了减少伤亡，经常只身一人潜入日本军统区奋勇杀敌，单刀赴会解救同胞，在危难之时英勇战斗奋勇杀敌。起因是由于袁志勇因在东北抗日与日本人周旋杀死日本军部的指挥长官（中野樱子的父兄）等军政要员，因而踏上了一边逃亡一边抗日的隐姓埋名的生活，所到的这一站是荔波。樱子也到荔波追查袁志勇的踪迹并伺机寻仇……。
