视频简介
一场公司内部的颁奖典礼，权力、庆典、金钱、爱情、事业，五种人生切片交错上映，讲述每一个“我”的故事。 影片荣获： 第四届印度世界电影节最佳处女作特利佩尔电影节最佳处女作纽约电影金像奖最佳故事片导演弗洛伦萨电影金像奖最佳影片伊斯坦布尔电影节最佳独立电影入围： 巴塞罗那独立电影节罗马棱镜电影节奥斯陆独立电影节（最佳剧本） 出品/制作深圳市野火映像文化传播有限公司出品：河北鲸颢影视文化传媒有限公司联合出品北京桃子将影视传媒有限公司；彬州梦想流坊文化传播有限公司。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。
